We've received the first review of the album, courtesy of Fetch The Nets. Massive thanks to the guys for taking the time to review it, read the full review, with rather nifty introduction, here.
"Surrealist intros are always a win here, and the opening track is great. 4-2-2 is a fast and fantastic track that sounds similar to Hives/Maximo Park in it's structure, stops and tempo changes. as openings to new albums, especially debut albums go, this is incredibly strong.
From this defining track the album jumps into Toucan - which is funky as funk gets. Utterly funktastic in it's construction. I mean, Starsky and Hutch missed out here. This track needs to be listened to in a '78 Dodge charger for optimal enjoyment. Don't move while it's on, too - you will look really out of place if you are not wearing a true purple suit and pimp cane.
The entire album has great lyrics, if sometimes a bit convention-seeking. The vocals are breathy and suit the music to a tee. When the album returns to more staple rocky sounds, it is never long before the funk returns. The bass can. not. be. STOPPED.
A chili peppers-esque baseline, Digital FX, ska-tastic guitar and drummery makes Stuck In Here a really bouncy and exciting tune, while Down Below & New Horizons has more a Counting Crows, acoustic feel to them. The band proves itself, track to track, to be incredibly versatile. The funk can not be suppressed for too long though. Street Called Nothing is the track where the funk explodes, and creates a massive funky mess that is absolutely perfect, and Nine Steps is about as funk-faced as you are allowed to get without a Corey Haim amount of prescription slips.
The album is a full and pleasurable experience - and one of these tracks will stay with you, and make one of your musical five-a-day. An accomplished and enjoyable debut from another promising Glasgow band."
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Egon